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Piano Available

Piano Available to Good Home

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A generous family from Annandale, VA recently contacted the Academy about gifting their Baldwin Acrosonic Spinet piano to a good home. If anyone is interested in accepting this gift, please contact us ASAP. Note: the piano has one or two sticky keys.

The piano is approximately 60 years old and is free of charge; however, the family requests the recipient to pay for the moving expense, which averages around $250-300 (when using a professional piano moving company) depending on the distance traveled, number of stairs involved, etc. Also, acoustic pianos usually require a tuning from a professional piano tuner after a move as well. 

If you think you have a need (and a space) for this piano, it’s a great opportunity to look into. We will handle this on a first-come, first-serve basis. Please email us at academy@gmu.edu (no phone calls please) and put “Piano Available to Good Home” in the subject (or simply Reply to the Newsletter email). A recipient will be matched as soon as possible.

Please note that these opportunities typically come up several times throughout the year, so keep checking the Academy Newsletter!

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Faculty News

Playing & Teaching the Saxophone

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Ariel Williams, Academy Assistant Coordinator of Programs and Saxophone Instructor since 2017, had the opportunity to contribute to the development of a newly published saxophone method book, Playing & Teaching the Saxophone: A Modern Approach. While she was studying for her master’s degree in classical saxophone performance at the University of Tennessee-Knoxville, Ariel worked alongside authors Dr. Allison Adams and Brian Horner to create and edit the graphics for the musical examples in the book.

“I was Dr. Adams’s graduate teaching assistant as they were completing the book, and it was wonderful to be able to play a small part in the development of this fantastic new resource in modern saxophone pedagogy.”


Ariel

According to the publisher, Oxford University Press, “Playing & Teaching the Saxophone: A Modern Approach provides a method for teaching the saxophone that is specific enough to use as a textbook in a collegiate saxophone methods class, simple enough for band directors to use in guiding their saxophone sections, clear enough for adult beginners to teach themselves the instrument, and deep enough for professionals to use as a resource in teaching private lessons at any level.” The book is available from the publisher as well as through Amazon.

Edited by Regina Schneider

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Piano Available

Piano Available to Good Home

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A generous family from Clifton, VA recently contacted the Academy about gifting their Story and Clark upright piano to a good home. If anyone is interested in accepting this gift, please contact us ASAP.

The piano is approximately 30 years old and is free of charge; however, the family requests the recipient to pay for the moving expense, which averages around $250-300 (when using a professional piano moving company) depending on the distance traveled, number of stairs involved, etc. Also, acoustic pianos usually require a tuning from a professional piano tuner after a move as well. 

If you think you have a need (and a space) for this piano, it’s a great opportunity to look into. We will handle this on a first-come, first-serve basis. Please email us at academy@gmu.edu  (no phone calls please) and put “Piano Available to Good Home” in the subject (or simply Reply to the Newsletter email). A recipient will be matched as soon as possible.

Please note that these opportunities typically come up several times throughout the year, so keep checking the Academy Newsletter!

Categories
Piano Available

Piano Available to Good Home

Categories

A generous family from Fairfax Station, VA recently contacted the Academy about gifting their Kimball upright, Model 4242 piano to a good home. If anyone is interested in accepting this gift, please contact us ASAP.

The piano is approximately 40 years old and is free of charge (to a good home); however, the family requests the recipient to pay for the moving expense, which averages around $250-300 (when using a professional piano moving company) depending on the distance traveled, number of stairs involved, etc. Also, acoustic pianos usually require a tuning from a professional piano tuner after a move as well. 

If you think you have a need (and a space) for this piano, it’s a great opportunity to look into. We will handle this on a first-come, first-serve basis. Please email us at academy@gmu.edu  (no phone calls please) and put “Piano Available to Good Home” in the subject (or simply Reply to the Newsletter email). A recipient will be matched as soon as possible.

Please note that these opportunities typically come up several times throughout the year, so keep checking the Academy Newsletter!

Categories
Faculty News

Faculty Enrichment Fund Awardee, Dr. Radina Dosseva

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The Academy values the importance of our teacher’s professional development. The Faculty Enrichment Fund annually provides partial and full reimbursement for teachers to attend conferences, workshops, and teacher training sessions. 

Our piano and theory teaching artist, Dr. Radina Dosseva, attended the Workshops in Music Theory Pedagogy in June:

The University of British Columbia in Vancouver (photo by arts.ubc.ca)

I am very grateful to the Mason Community Arts Academy for their support and encouragement of their teachers to pursue professional development opportunities. The Faculty Enrichment Fund Award allowed me to finally fulfill my dream of attending the Workshops in Music Theory Pedagogy on the beautiful campus of The University of British Columbia in Vancouver, Canada, this June. 

This week-long immersion in music was the perfect way to network with other like-minded musicians and dedicated teachers from all over the world. The first workshop was held in 2007, and the conference has taken place every three years since then. I was fortunate to have met the two co-directors of the workshops, professors Leigh VanHandel (University of British Columbia) and Gary Karpinski (University of Massachusetts-Amherst).

I got to know the other amazing presenters, professors Nancy Rogers (Florida State University), Jena Root (Brown University), Jenny Snodgrass (Lipscomb University), and Michael Callahan (Michigan State University). I made many new friends from all over the US and Canada, and had the pleasure of being introduced to another professor at the University of British Columbia, Laurel Parsons, who teaches music theory, aural skills, and film music analysis. Everyone at the conference was incredibly kind and willing to share all kinds of pedagogical information with other attendees.

New friends from all over the US and Canada

I learned about fun technology to incorporate into the classroom, like Kahoot and Artusi music. I learned new ways of using musical dictation and improvisation/composition exercises when teaching aural skills. Many of the discussions revolved around aural skills acquisition and how important it is to develop a strong ear in order to become a well-rounded musician.

I learned about very interesting and new (to me) ways to analyze music, such as the Nashville Number System used in commercial music. Many session musicians and background singers have not heard the music before recording it. They are usually handed a lyric sheet at the sessions and have to quickly map out the melody line because they might only hear the music once before having to perform it. They need to have excellent aural skills and so they use the Nashville Number System as a shorthand to write down the scale degrees on which each chord of the song is built. They use numbers instead of Roman numerals to quickly create simple chord charts that help them navigate the song during session recordings.

In addition to all the musical knowledge I gained, I was also fortunate to be immersed in another culture. The Canadian people I met were extremely polite and nice. Young people would always give up their seat on the bus for elderly passengers. They would also stop their cars immediately, if they thought a pedestrian might be thinking of crossing the road.

I learned that the Indigenous people of the area, in particular the Musqueam, are a big part of university life and have a dedicated academic building on campus, called the First Nations Longhouse. We had important discussions on how to expose our students to the beautiful Indigenous music, while being mindful of not appropriating another peoples’ culture in the process. I was able to see many wooden sculptures and totem poles, and I got to hear a concert of Indigenous music on July 1st, Canada Day.

Words cannot describe the breathtaking beauty of the campus, with its giant fir trees and other native plants, as well as the serene views of the mountains and the ocean across the horizon, visible directly from campus, which also overlooks a stunning rose garden right next to the Chan Centre for the Performing Arts.

Concert of Indigenous Music

This conference taught me many new concepts, helped me rethink my teaching philosophy, and gave me new pedagogical ideas to incorporate into my private and group teaching. It also gave me a renewed sense of cultural awareness and helped me make a lot of new friends, who inspired me. It was a very refreshing and invaluable experience, and I am very grateful to Mason Community Arts Academy for making it possible. 


Written by Dr. Radina Dosseva
Edited by Regina Schneider